William S. Hart (director/lead)
Joseph H. August (cinematographer)
C. Gardner Sullivan (writer)
Margery Wilson (lead)
Robert McKim (lead)
Louise Glaum (lead)
J.P. Lockney (lead)
Well, if yer a-hankerin' to see some good ol' boys havin' theyselves a heap a gunfightin' fun, I reckon thars 'nuff bad-ass shootouts, standoffs, stare-downs, trash-talkin', and greaser-bashin' here to tickle your fancy. But dang it, reading all them titles written in this hokey dime novel hick cowboy lingo leaves a soul plum tuckered out!
Louis Feuillade (director/writer)
Arthur Bernède (writer)
André Glatti (cinematographer)
Léon Klausse (cinematographer)
Édouard Mathé (lead)
Jean Devalde (lead)
Louis Leubas (lead)
Marcel Lévesque (lead)
Musidora (lead)
René Cresté (lead)
Yvette Andréyor (lead)
Gaumont (production)
A caped crusader and his sidekick respond to a distress signal that appears at their tech-equipped cave. Welcome to the cinema of 1917 - where the story began...
Charles Chaplin (director/lead/writer)
William C. Foster (cinematographer)
Roland Totheroh (cinematographer)
Vincent Bryan (writer)
Maverick Terrell (writer)
Eric Campbell (lead)
Edna Purviance (lead)
Lloyd Bacon (lead)
Albert Austin (lead)
Charlotte Mineau (lead)
Leo White (lead)
James T. Kelley (lead)
John Rand (lead)
Mutual (production)
With so many hilarious gags (and some are just small movements), that come at you so rapidly, repeat viewings is a must.
Max Linder (director/lead/writer)
Martha Mansfield (lead)
Francine Larrimore (lead)
Mathilde Comont (lead)
Essanay (production)
In his second US-made film, Max arranges to have an affair in order to get a divorce, to fulfill the requirement for inheriting a fortune. The broad humor in the psychiatrist office is typical of an Essanay production, but alien to Linder's style.
Max Linder (director/lead/writer)
Martha Mansfield (lead)
Mathilde Comont (lead)
Essanay (production)
Max is forced to get a job as a cabbie (in the final 7 minutes of this 20-minute film). His third US-made film, this seems to be missing the opening scene in the restaurant, that's described at maxlinder.de/maxinataxi.htm. What's here is more slapstick and action, less story and character.
Roscoe 'Fatty' Arbuckle (director/lead/writer)
Frank D. Williams (cinematographer)
Al St. John (lead)
Buster Keaton (lead)
Josephine Stevens (lead)
Luke the Dog (lead)
Comique (production)
Featuring:
Roscoe 'Fatty' Arbuckle (director/lead/writer)
Joseph Anthony Roach (writer)
Frank D. Williams (cinematographer)
Al St. John (lead)
Alice Lake (lead)
Comique (production)
A childish upper-class alcoholic husband who passes out drunk in a bathtub (evoking an uneasy laugh, as it is not unrealistic and is a cause of death: remember Whitney Houston?), and who wants children from a wife that sleeps with her mother, provides an imaginative flashback of an imaginary event, with strangely incongruent details. But as his family watches the actual event in a newsreel, the actual event is reenacted in the present. So we have a film that shows how film is a technology that can replace our imaginative lives with virtualized actualities. But when we choose to enter its realm of virtualized actualities, we may find it not only conflicts with our idealized world, but also revives and reinforces the conflicts inherent in our actualized world. Pretty scary slapstick...
William S. Hart (director/lead)
Joseph H. August (cinematographer)
Lambert Hillyer (writer)
Margery Wilson (lead)
Yes, once again Hart plays a cowboy who is changed when he falls for a woman. But, from that point, this story rides off on a different trail. For starters, he's the big boss instead of an outlaw - a meanspirited bully. And, even though the cowboy sees only goodness in the woman, viewers may wonder what is really behind her amused looks and questionable judgment. In short, this stretches away from the predictable film fables, offering more of the depth and ambiguity encountered in everyday life.
Roscoe 'Fatty' Arbuckle (director/lead/writer)
Frank D. Williams (cinematographer)
Al St. John (lead)
Buster Keaton (lead)
Alice Lake (lead)
Josephine Stevens (lead)
Comique (production)
Highlights:
Roscoe 'Fatty' Arbuckle (director/lead/writer)
Joseph Anthony Roach (writer)
George Peters (cinematographer)
Al St. John (lead)
Buster Keaton (lead)
Alice Lake (lead)
Alice Mann (lead)
Josephine Stevens (lead)
Comique (production)
Fatty's behind the counter juggling utensils again, un hunh.
And a'courting the boss' daughter again, un hunh, un hunh.
And fighting off rival Al again, un hunh, un hunh, un hunh.
And drugging then sexually assaulting women again, un...wait - that was a different comedian...
Roscoe 'Fatty' Arbuckle (director/lead)
Joseph Anthony Roach (writer)
Jean Havez (writer)
George Peters (cinematographer)
Al St. John (lead)
Buster Keaton (lead)
Alice Mann (lead)
Alice Lake (lead)
Comique (production)
Don't worry - this time Fatty's not again behind the counter swindling and endangering people. Now he's a doctor swindling and endangering people. A story with more twists and turns, and shot in multiple settings, giving it a more expansive feel. Buster reprises his vaudeville role that gained him fame and unique acrobatic skills: the bratty kid who gets smacked around by his pops.
Roscoe 'Fatty' Arbuckle (director/lead/writer)
George Peters (cinematographer)
Al St. John (lead)
Buster Keaton (lead)
Luke the Dog (lead)
Comique (production)
The boys get a taste of their own philandering medicine when they all flip over a hardcore player (Buster flips backward). The result, of course, is endless slapstick battles - and the first time the kid in the crew gets the gal.
William S. Hart (director/lead)
Joseph H. August (cinematographer)
Charles Kenyon (writer)
Vola Vale (lead)
Robert McKim (lead)
J.P. Lockney (lead)
Dorcas Matthews (lead)
George Nichols (lead)
Harold Goodwin (lead)
Surprise: this drops Hart's standard cowboy-changed-by-a-woman formula. Bigger surprise: it's a total mess...
George Irving (director)
Harry B. Harris (cinematographer)
Anthony Paul Kelly (writer)
Eugene Wiley Presbrey (writer)
E.W. Hornung (author)
John Barrymore (lead)
Frank Morgan (lead)
For any hardcore fan of suavecito-smooth, the first few minutes of Barrymore profiling is a fun ride. But it quickly gets old and repetitive. And any hope for mystery is dashed when it becomes apparent that every kid on the block knows that Raffles is "secretly" the Amateur Cracksman. And those who don't know, he reveals it to them. With a villain with no real commitment to skulking or skullduggery, and a story with none of the twists and turns of Fantomas flicks, there's nothing much to see here but the stereotypical American imitation of upper-class British.
Roscoe 'Fatty' Arbuckle (director/lead/writer)
George Peters (cinematographer)
Natalie Talmadge (writer)
Al St. John (lead)
Buster Keaton (lead)
Alice Lake (lead)
Joe Keaton (lead)
Comique (production)
A parody of the conventions of Wild West movies - clearly a slapdash attempt to capitalize on the box-office success of 1974's Blazing Saddles.
Roscoe 'Fatty' Arbuckle (director/lead/writer)
Joseph Anthony Roach (writer)
George Peters (cinematographer)
Elgin Lessley (cinematographer)
Al St. John (lead)
Buster Keaton (lead)
Alice Lake (lead)
Joe Keaton (lead)
Comique (production)
The title could have been plural, as the first half features Roscoe and Buster as a pair of bellboys, mostly pulling off gags as a duo. Al has his share of fun time, but usually not sharing the screen with the other two. But in the second half, the three Rough Boys ditch their uniforms and roles to come together as a team for some serious wrecking. Highlights:
Roscoe 'Fatty' Arbuckle (director/lead/writer)
George Peters (cinematographer)
Al St. John (lead)
Buster Keaton (lead)
Alice Lake (lead)
Charles Dudley (lead)
Comique (production)
The shortest Comique - and quite unlike any other. With its flimsy story, it seems to be more of a parody. But it's not clear what is being parodied. So the “lost” reference results in lost laughs.
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