Works featuring "abuse" (97)
Featured image for The Nihilist

The Nihilist

From acinemahistory.com:

“The most interesting aspect is the subject chosen: a woman joining the Nihilist movement as a reaction to police repression in Tsarist Russia. The film shows a clear empathy for terrorist action, which is an unusual theme in early cinema and shows the freedom which existed in American cinema at the time.”

In the previous year, the same director and production company released a film that shows a clear empathy for armed resistance against a police attack, committed by producers/dealers of illegal recreational drugs: The Moonshiner. In both films, the title cards refer to the government undercover agent as a “spy” - thus making it clear where the viewer's sympathy should be directed.

Featured image for The White Caps

The White Caps

The two men renown as pioneers of early US cinema, Edwin S. Porter and D.W. Griffith, shared another claim to fame/infamy: each created a work inspired by Thomas Dixon Jr.'s 1905 The Clansman. Griffith's 1915 film The Birth of a Nation was adapted from the stage version of the novel. Edwin S. Porter was inspired by the novel to create this film. According to Before the Nickelodeon: Edwin S. Porter and the Edison Manufacturing Company, Edison advertisements held a pro-vigilante view, proclaiming: A lawless and criminal element almost invariably accompanied the advance guard of civilization and to keep this element in check the law abiding citizens were compelled to secretly organize themselves for their own protection...We have portrayed in Motion Pictures, in a most vivid and realistic manner, the method employed by the “White Caps” to rid the community of undesirable citizens.

While the White Caps role here as Morality Police may seem relatively benign compared to the lynch justice in The Birth of a Nation, the book also points out: This film narrative exactly parallels an earlier account of “White Cap” activity in a turn-of-the-century newspaper. In the newspaper account, the tar clogged up the man's pores and he eventually died.

Featured image for The Black Hand

The Black Hand

Kidnapping and rescue, billed as “True Story of a Recent Occurrence in the Italian Quarter of New York”. Real street scene, with gawking bystanders blocking the shot. Was the attempted rescue on the street also real? Street filming can be a dangerous business...

Featured image for A Sticky Woman (La femme collante)

A Sticky Woman (La femme collante)

When man kisses maid, whose mouth is used for affixing postage stamps, their lips become glued. Elevates a silly gag to a grim social satire.

Featured image for Joined Lips (Lèvres Collées)

Joined Lips (Lèvres Collées)

When man kisses maid, whose mouth is used for affixing postage stamps, their lips become glued. Only interesting as a benchmark for Alice Guy-Blaché's superior version, 'A Sticky Woman (La femme collante)', which elevates this silly gag to a grim social satire.

Featured image for The Cruel Mother (La marâtre/The Stepmother)

The Cruel Mother (La marâtre/The Stepmother)

Relax - it's not an attack on motherhood. It's just another shot at the traditional whipping post: the stepmother. No new ground covered here, as everyone who's been subjected to fairy tales learned that stepmothers are evil (usually long before learning what the word 'stepmother' means). But be warned that the child beating scenes are not for the squeamish.

Featured image for She Would Be An Actress

She Would Be An Actress

Intense drama unfolds when wife must choose between the two greatest joys in her life: dancing on stage, and whacking her hubby upside the head. What will she choose: the glamour of stage life, or the fulfillment of pummeling Papa?

Before his Alexander's Ragtime Band shot him to fame, a 20-year-old Irving Berlin penned a modest success in 1909, that included lyrics on the same theme: Sadie Cohen left her happy home//To become an actress lady
On the stage she soon became the rage//As the only real Salomy baby
When she came to town, her sweetheart Mose//Brought for her around a pretty rose
But he got an awful fright//When his Sadie came to sight//He stood up and yelled with all his might:
[Refrain:] Don't do that dance, I tell you Sadie//That's not a bus'ness for a lady!
'Most ev'rybody knows//That I'm your loving Mose//Oy, Oy, Oy, Oy//Where is your clothes?...
Oy! such a sad disgrace//No one looks in your face
Sadie Salome, go home

Also, note the original “slap stick” the comic uses, just before she goes on stage.

Featured image for Drunkard's Child

Drunkard's Child

Smelly old geezer flashes fat cash to lure a young boy. Then, when boy's mom croaks, he seizes the opportunity to bumrush dad from his own house and snatch the boy. Finally, dad gets snuffed out when geezer's crony pumps lead into dad's back, and authorities bestow blessings on the snatch&snuff - with no one once bothering to ask the kid what he would like. Stats: in this under-7 minutes short, the serial flasher flashes his wallet 3 times. Good clean family fun film.

Featured image for The Doctor's Bride/An Evil Thought Thwarted

The Doctor's Bride/An Evil Thought Thwarted

Geezer Alert! Next time you old farts are out cruising for young hotties, carry along this flick to show her why a boring bourgeois baldy's better than a hot young hunk. Guaranteed to thwart her evil thoughts - and let you put yours in action. Or at least give you both a good laugh.