Works featuring "train" (21)

The Great Train Robbery

Considered a milestone in film making

A Railway Tragedy

A petty crime that quickly escalates...

The Train Wreckers

After servicing her final two corporate customers, the engineer and the switchman, Rail Tramp Trixie finishes the shift on her day job and heads to the woods to unwind with her own kind. But seems The Boys had gotten tired of waiting and started without her, because she spotted them all in a circle - doing what The Boys do in a circle. So she just stood back and watched: she liked to watch. When The Boys were done with their fun, they surprised Trixie with her favorite fun - a little B&D...doggy style. Reenergized, she headed down to the tracks for her freelance gig, hawking her wares by waving her flag from down below, a signal that was well-known all along the train line. When a trainload of randy squares heading to a convention eyed her flag, they brought the train screeching to a halt - and Trixie scored big-time. “All aboard!”

All around those parts, wives all agreed: of all the loose ladies, nobody could wreck a train trip like Rail Tramp Trixie.

In The Hands Of Impostors (Den hvide slavehandels sidste offer)

Oddly, the impostors' ruse starts with a primitive hit-or-miss con act repeatedly performed in full public view - yet we are to believe that this silly stunt fronts an elaborate well-tuned network. While the patsy is still in the clutches of the con woman, a masher also swoops down on her - and she again falls victim to yet another persistent motor-mouth. Not long after she steps into the hands of the impostors, the film breaks down in hopeless confusion. The impostors (who remain unnamed, just referred to as “the impostors”) phone the blackmailer (misnamed “Mr. Bright”), who quickly has his hands all over the patsy. Meanwhile, the persistent masher (aptly named “Engineer Faith”) catches on to the flimflam and leaps on his White Knight horse. But before he arrives, another blackmailer (mysteriously named “Lord X”) muscles in on Mr. Bright and nabs the patsy - which leads Mr. Bright to counter by paying to have her kidnapped from Lord X. Meanwhile, amidst this torrent of cock brawls, no one has turned a dime of profit off the patsy - nor has anyone revealed any plans to cash in. This seems to be merely a confusing tale of a town desperately in need of new nooky. Still, the patsy - and the movie - is saved by a delightfully daring cock-buster.

Let this serve as a lesson for solo travellers, showing how personal information shared with strangers can be used harmfully - i.e. as a plot for a time-wasting movie.

Most interesting was the train station exit scene, which shows passers-by gawking at the camera and performers - a quaint record of the days before mobile digital devices, when people actually paid attention to their surroundings.

The Lonedale Operator

Variation on the invasion-call-rescue formula of Griffith`s earlier "The Lonely Villa". Most importantly, the melodramatic fat is trimmed by replacing Mother Purity and Her Three Snow White Virgins with one smart tough cookie - a working girl who even stays cool enough to take a quick mid-crisis nap - thus avoiding the worst of the dated hokey trappings that plague too many Griffith films.

In The Prime Of Life (Ekspeditricen)

Utterly useless upper class twit is rocked out his socks when he's blocked by well-stacked knockers. But after three months of rocking with no sock she gets knocked up (“loved not wisely but too well”), and has to start wearing the biggest hats she can find. And so begins a familiar tale, that goes by many names:

  • Ungdom og letsind (Youth and Frivolity)
  • Ungdomsynd (Sins of Youth)
  • Dyrköpt lycka eller När ungdomsblodet sjuder (Costly Joy or When the blood of youth boils)
  • Ödets underliga väga (The strange path of fate)
  • Offer för sin lidelse (Victim of his passion)
Earlier, a similar tale went by a much less fearsome name: An Unexpected Guest (1909).