Works featuring "abuse" (91)

Where Are My Children?

“All intelligent people know that birth control is a subject of serious public interest. Newspapers, magazines and books have treated different phases of this question. Can a subject thus dealt with on the printed page be denied careful dramatization on the motion picture screen?...In producing this picture the intention is to place a serious drama before adult audiences...”

This somber introduction is immediately followed by:

“Behind the great portals of Eternity, the souls of little children waited to be born.”

And on it goes like this, shifting between pretense of weighty social drama and wallowing in cabbage-patch airy-fairy fantasy, linked by hackneyed melodrama and annoying overuse of cross-cutting, while hammering its messages - abortion is murder, humanity's salvation is birth control (for the poor), becoming a submissive baby factory is the duty of every woman (if she's wealthy) - only approaching realism in its wonderfully dark and depressing ending. Movie in a nutshell: Living with a pompous, self-righteous, hypocritical Dickless Attorney leaves wife with no desire to breed more of his kind. There - 65 minutes saved.

The Waiters Ball

The premise of 1914's Fatty's Magic Pants/Fatty's Suitless Day is ported to a hash house, where the cook and the waiter are in fierce rivalry for the fickle affections of the cashier, both trying to be the one chosen to go with her to The Waiters Ball. Along the way, the restaurant is used as a stage to showcase Roscoe's kitchen acrobatics and a variety of fast-paced comic skits.

This gem feels like a milestone in Arbuckle's growth from the often limited and flimsy material of Keystone to the wild and unhinged inventiveness of Comique. Most of the best elements of Comique-style comedy are here - even though Buster hasn't arrived yet. There's more craziness than the eye can keep up with, so the more this is viewed, the better it gets.

Metatheatrics rating (Number of smiles, winks, and other asides to the audience): 13 (Roscoe 6, Al, 6, Kate Price 1)

NOTE: Restoration posted on Internet Archive is visually better, but reconstruction posted on YouTube has additional scenes.