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Voidsville Follies

Works by Giovanni Pastrone (4)

Cabiria

Giovanni Pastrone (director/writer)
Eugenio Bava (cinematographer)
Natale Chiusano (cinematographer)
Segundo de Chomón (cinematographer)
Giovanni Tomatis (cinematographer)
Gabriele D'Annunzio (writer)
Emilio Salgari (author)
Gustave Flaubert (author)
Titus Livius (author)
Umberto Mozzato (lead)
Bartolomeo Pagano (lead)
Lidia Quaranta (lead)
Italia Almirante-Manzini (lead)
Itala (production)

Language: Silent, English titles, French subtitles, released in Apr 1914
Minutes: 124

With awe-inspiring visuals, a compelling story, and the screen debuts of Maciste and Moloch, this gets even better with multiple viewings.

Featured elements:

: action; adventure; armed conflict; chase; death scene; fighting; historical drama; melodrama; religion; rescue; Roman empire; servitude; strongman; suicide; torture

Maciste/Marvelous Maciste

Luigi Romano Borgnetto (director)
Vincenzo Denizot (director)
Agnes L. Bain (writer)
Giovanni Pastrone (writer)
Bartolomeo Pagano (lead)
Leone Papa (lead)
Amelia Chellini (lead)
Itala (production)

Language: Silent, Dutch titles, English subtitles, released in Aug 1915
Minutes: 64

Maciste smoothly steps out of his loincloth and dark skin into spats and double-breasted suit to hit the streets of 20th century Turin, where he is lured by a girl with a sob story straight out of your spam mail folder. A truly straight-up righteous dude, he bails on the dame, kicking a stray dog on the way. Things get worse for the hound when the studio nixed plans for his own spinoff series. Who needs a dog when you've got Maciste?

Featured elements:

: action; automobile; backstage; comedy; crime; fighting; heroic defender; metatheatre; rescue; strongman

The Fire (Il fuoco (la favilla - la vampa - la cenere))

Giovanni Pastrone (director)
Segundo de Chomón (cinematographer)
Gabriele D'Annunzio (author)
Pina Menichelli (lead)
Febo Mari (lead/writer)
Itala (production)

Language: Silent, Italian titles, English subtitles, released in Apr 1916
Minutes: 50

A privileged poetess plucks a peasant painter from his mundane seclusion, flying him to the height of passion in their brief encounter. Breathes new life into a classic “femme fatale theme” (a.k.a., “misogynistic influence” that may be better left dead) by using creative cinematography and careful choreography of the poetess' movements. The result explodes with a visual extravagance within its minimalist domain and, like the painter, the viewer is seduced into an unquenchable thirst for more.

Featured elements:

: abstraction; abuse; agent of discontent; alienation; alter ego; animal act; automobile; baptism of fire; breaking class; femme fatale; forsaken; infidelity; manipulator; obsession; psycho; servitude; sexuality; tragic artist; unrequited love

Tigre Reale

Giovanni Pastrone (director)
Segundo de Chomón (cinematographer)
Giovanni Tomatis (cinematographer)
Giovanni Verga (author)
Pina Menichelli (lead)
Alberto Nepoti (lead)
Febo Mari (lead)
Gabriel Moreau (lead)
Itala (production)

Language: Silent, Italian titles, English subtitles, released in Nov 1916
Minutes: 77

Never again utter the phrase “Drama Queen” until you've watched this diva single-handedly transform a threadbare story into a symphony of sensual expression.

Featured elements:

: alienation; animal act; breaking class; flashback; forbidden love; forsaken; infidelity; manipulator; melodrama; music; neglected spouse; rescue; revenge; servitude; suicide

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