Language: Silent (121)

Max Takes A Bath (Max prend un bain)

Max does a nervous twitch so effectively, it is almost contagious. When doctor prescribes hot baths, Max buys a tub which, hilariously, leads to a wall-scaling chase, as first seen in the 1906 "The ? Motorist", adding to the the wonderful absurdity of it all.

Sidney Street Siege

A newsreel of the state response to the challenge of a couple of anarchists in 1911 London that fought off the combined force of police and military. Was the inspiration for the shootout in the final scene of Hitchcock's 1934 "The Man Who Knew Too Much".

Une nuit agitee

On his wedding night, Max excites his bride. A refinement of the gag in the 1896 Méliès film "A Terrible Night (Une nuit terrible)".

Dr Brian Pellie and the Secret Dispatch

This is the final 2 minutes of the 10-minute video described at http://www.screenonline.org.uk/film/id/1114609/synopsis.html. It features a reenactment of the 1909 Tottenham chase, that began with a robbery by anarchists, set in a fictional tale of spies.

Max Takes A Picture (Max fait de la photo)

Max goes nuts when he sees big butt. Max tries to sneak snapshots of a Rubenesque beauty on the beach, but she gets payback - as Max ends up frantic with guilt. Too little content, dragged out too long.

Germinal

The original film is 2.5 hours, so this version is missing more than half the film - most notably, the intertitles. Also, the two main male leads share similar costumes, physique, mustaches, and hair styles, and are both seen with the same woman. So this version is tricky to follow, but is worth the effort: a more natural acting style, location filming, unforgettable scenes of crowd uprising, and a story that subtly surveys the intersection between emotional and social landscapes - at a time when US film was still honing its huckster skills of grabbing the attention of the audience, then ramming views and values (aka, propaganda) down its throat.