Georges Méliès (director/lead)
Star (production)
Drunk gags + 'Bewitched Inn' + 'Going to Bed Under Difficulties' + chase, all rolled into one. [Star Film 465-469]
Carmine Gallone (director)
Giovanni Grimaldi (cinematographer)
Antonio Fogazzaro (author)
Lyda Borelli (lead)
Amleto Novelli (lead)
Augusto Mastripietri (lead)
Società Italiana Cines (production)
Marina di Malombra is the beautiful and sophisticated young niece of a count. She could be described in the terms used in a 1967 work : "dominant, secure, self-confident, nasty, violent, selfish, independent, proud, thrill-seeking, free-wheeling, arrogant females, who consider themselves fit to rule the universe". Marina becomes convinced she is the reincarnation of a madwoman out for fatal revenge. Corrado Silla is a sensitive young man born into nobility, but now on the verge of poverty. He longs for fame in the world of arts and letters, but has failed. Marina taunts, scorns, then publicly humiliates him. Thus, Silla is ready to sign up as Marina's love slave, but his pride gets in the way. This is the love story of Marina and Silla. Lyda Borelli's spellbinding performance of Marina's metamorphosis, and Amleto Novelli's subtle portrayal of a man torn between his pride and his passion for (and fear of) a dominant woman, both captured with the right direction and photography, make this a classic.
A.E. Coleby (director/writer)
Frank Wilson (lead/writer)
Sax Rohmer (author)
Fred Paul (lead)
H. Agar Lyons (lead)
Harry Worth (lead)
Humberston Wright (lead)
Joan Clarkson (lead)
Julie Suedo (lead)
Stoll (production)
This serial seems to be the earliest surviving film appearance of Dr. Fu Manchu. Unlike subsequent Fu Manchu films, these 13 episodes are essentially faithful (though abridged) adaptations of the events in Sax Rohmer's original stories, which are posted here for comparison. Each episode is a self-contained story, with no cliffhangers.
The protagonist duo of Nayland Smith and Dr. Petrie is, superficially at least, an obvious imitation of Sherlock Holmes and Dr. Watson, with Dr. Fu Manchu taking the archvillain role of Prof. Moriarty. But in Fu Manchu stories, it is the genius of the archvillain that is the focus - not the cleverness of the detective. Nayland Smith admits: “I am a child striving to cope with a mental giant”.
Thankfully, the film adaptation ditched the repetitive narration of Dr. Petrie, with its endless vitriol against the so-called “Eastern race”. Of course, as faithful adaptations, these episodes maintain the Yellow Peril theme that is central to the story, but less explicitly.
Abel Gance (director/writer)
Max Linder (lead/writer)
Jean Toulout (lead)
Gina Palerme (lead)
Films Abel Gance (production)
Max accepts a bet that he cannot remain in a haunted castle for one hour without crying for help.
head city
has waived all rights to all work here that's not stolen from somewhere else.