Sherlock Holmes [1922]/Moriarty

Featured image for Sherlock Holmes [1922]/Moriarty

Although himself a bit of a latecomer to screen and never hit big at the box office, make no mistake: Professor Moriarty was the forerunner of film's criminal masterminds. Wherever a mastermind is symbolized by a web, Moriarty is at the centre. His 1916 film debut made him look like a loser, and quickly brushed him aside. But here he is central to the story (in the UK, the film was titled Moriarty), and properly acknowledged as a menacing force that Holmes must struggle to reckon with. Sure, the film is slowed down by a hokey romance thrown in so that the good guy gets the girl in the end, but Moriarty stays hardcore and unstoppable.

Online: Wikimedia

Moriarty - The archvillain at the centre of the web of crime films

Moriarty vs Corleone
He sits motionless, like a spider in the centre of its web, but that web has a thousand radiations, and he knows well every quiver of each of them.

“The Adventure of the Final Problem” (1893)

Moriarty, the heart of the web
Moriarty, in Sherlock Holmes (1922)
Enter Fu Manchu's web
The Mystery Of Dr Fu Manchu - Episode 10: The Fiery Hand (1923)
Trapped in Fu Manchu's web
Return Of Dr. Fu Manchu (1930)
Sherlock in Moriarty's web
The Adventures Of Sherlock Holmes (1939)
Caught up in Dr. No's web
Dr. No (1962)

Related:

Sherlock Holmes [1916]

This film exists as supporting evidence for three well-established postulates in film theory:

  1. Early attempts to bring stage successes to silent film were disastrous. Here we waste nearly two hours watching paint dry.
  2. A superhero without a worthy nemesis is a superdud. Moriarty doesn't enter until 45 minutes in, so over a third of the film is just Watson, Sherlock, and his little concubine Billy.
  3. Sherlock Holmes is a boring smug prick.

View...