"Who the hell wants to hear actors talk?" -- Harry Warner, of Warner Bros. (1926) Sherlock Holmes [1916] This film exists as supporting evidence for three well-established postulates in film theory: Early attempts to bring stage successes to silent film were disastrous. Here we waste nearly two hours watching paint dry. A superhero without a worthy nemesis is a superdud. Moriarty doesn't enter until 45 minutes in, so over a third of the film is just Watson, Sherlock, and his little concubine Billy. Sherlock Holmes is a boring smug prick. Online: Internet Archive