Sherlock Holmes [1916]

Featured image for Sherlock Holmes [1916]

This film exists as supporting evidence for three well-established postulates in film theory:

  1. Early attempts to bring stage successes to silent film were disastrous. Here we waste nearly two hours watching paint dry.
  2. A superhero without a worthy nemesis is a superdud. Moriarty doesn't enter until 45 minutes in, so over a third of the film is just Watson, Sherlock, and his little concubine Billy.
  3. Sherlock Holmes is a boring smug prick.

Online: Internet Archive

Related:

Sherlock Holmes [1922]/Moriarty

Although himself a bit of a latecomer to screen and never hit big at the box office, make no mistake: Professor Moriarty was the forerunner of film's criminal masterminds. Wherever a mastermind is symbolized by a web, Moriarty is at the centre. His 1916 film debut made him look like a loser, and quickly brushed him aside. But here he is central to the story (in the UK, the film was titled Moriarty), and properly acknowledged as a menacing force that Holmes must struggle to reckon with. Sure, the film is slowed down by a hokey romance thrown in so that the good guy gets the girl in the end, but Moriarty stays hardcore and unstoppable.

View...