Sherlock Holmes [1916]

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This film exists as supporting evidence for three well-established postulates in film theory:

  1. Early attempts to bring stage successes to silent film were disastrous. Here we waste nearly two hours watching paint dry.
  2. A superhero without a worthy nemesis is a superdud. Moriarty doesn't enter until 45 minutes in, so over a third of the film is just Watson, Sherlock, and his little concubine Billy.
  3. Sherlock Holmes is a boring smug prick.

Online: Internet Archive