"Who the hell wants to hear actors talk?" -- Harry Warner, of Warner Bros. (1926) Mabel and Fatty's Married Life Although the title may suggest this is the sequel to the 1914 “Mabel's Married Life” (with Fatty replacing Chaplin's Tramp), it's actually more like an upgrade of Mabel's 1912 “Help! Help!”, where she now more actively defends herself - so this time she's not the one hiding in a dark enclosed space. Featuring: Mabel's flair for expressive comic miming Roscoe's directorial vision, and penchant for aerial views Al St. John's Kourageous Keystone Kop Mabel Gets Spooked With a style somewhat similar to what Stan Laurel would later show, Mabel delivers a seminar on comic miming.