"Who the hell wants to hear actors talk?" -- Harry Warner, of Warner Bros. (1926) The Goddess (神女) Noir formula: a flawed hero, trapped in shadowy troubled nights, unable to escape. But here the hero(ine) is a prostitute, the setting is not America's night streets but Shanghai's, and the story is told as a silent melodrama, with few titles (until the social commentary kicks in). With a small cast and minimal sets, this work is proof that sometimes less is more. Online: Wikimedia The Goddess: Saga etched in her face Yet even more inner complexity is revealed through a sequence of rapid subtle changes in facial expression, whose meaning is left open to interpretation. The Boss: Tyrants Always Come Smiling The Son: World-weary Tot Rapport Speaking In Pictures