Yet another oddball from director/performer Emilio Ghione.
Just as his The Black Circle (Il circolo nero) showed an influence from Louis Feuillade, this starts like a Les Vampires-style fashionable urban criminal underclass flick. But after only 12.5 minutes of some dope early gangsta shit, the story morphs into yet another installment in Ghione's spaghetti Western series, For a Few Sheep More, documenting the untold story of the contribution of Italian immigration to Texas' early twentieth century boom in sheep ranching - with some unimpressive diva-glam by Hesperia along the way.
Biggest mystery: how did Za La Mort manage to part with his hometown's flashy shoes?